I traveled to Thailand last month for my day job, and many people asked my wife, “Oh, is he there because of his books?” We laughed and said no, he never travels overseas because of his books. Well, never say never…
No sooner was I home from Thailand when I received an invitation to attend Black Week Turkey, a literary festival in Istanbul. Superposition came out in Turkish not long ago, to some pretty great fanfare. There are posters of the book up on the sides of buildings in Istanbul, front and center placement on bookstore shelves, and a cool promotional video trailer. So shortly after enjoying turkey for Thanksgiving, I will be flying to Turkey as a guest of one of Europe’s biggest literary festivals! I will be speaking, and there will apparently be journalists and representatives of the ministry of culture, not to mention lots of readers. Wow. I can hardly believe it’s happening!
Superposition will hit bookstores in Turkey in a few weeks. It was translated by Kıvanç Güney, an accomplished and well-regarded translator of many books in the genre. I have to say, this is the coolest business in the world to be in, seeing my work translated into all these different languages!
Here’s the Turkish book cover:
Two weeks from now, I will be appearing on Stanford University’s Philosophy Talk, a nationally-syndicated radio show that airs on 100+ stations around the country. They’re doing a show on dark matter, the mysterious stuff that makes up most of the matter in the universe. It’s a remarkable fact that, despite everything we’ve learned about the world around us, we still don’t know what most of it is made of.
The headliner for the episode will be an astronomy professor from Yale, who surely knows a lot more about dark matter than I do! I was brought in as a science fiction writer with a passing familiarity with physics, to do a little fun speculation about what dark matter might be and how it might affect our lives in the future.
The show airs at 10:00 PST in San Francisco on Sunday, October 9. Other stations around the country may air it at different times.
It’s another release day for Superposition! Today is the day the French translation of Superposition is being published in France. Here’s the cover for the French edition, which I think is pretty stunning. (Though, what is it with Superposition and bald people? There are no bald characters, and yet somehow all the covers have no hair!)
I asked Beth Cato to visit my blog today and talk about how religion plays a role in her fantasy novels. Not many authors are brave enough to try to give their characters religious views, but Beth has done so, both with real faiths and those of her own invention. Beth’s novels The Clockwork Dagger and The Clockwork Crown are on sale for $1.99 and $2.99 right now, so it’s a great time to give them a try. Her latest novel, Breath of Earth, will be released in just a few weeks, on the 23rd.
Here’s Beth, on faith, magic, and respect:
When I began to write my Clockwork Dagger novels, I knew I wanted my heroine to be a character of profound faith. At the time, it seemed like many of the fantasy books I was reading–and enjoying– had leads whose devotion to religion consisted of taking the Lord’s name in vain. Some were downright hostile to religion.
I created Octavia Leander as a different sort of heroine. She’s a profoundly gifted magical healer whose power arises from the entity she worships, the Lady’s Tree; the gigantic world tree is regarded as mythical, even by other healers. In Octavia’s steampunk, non-Earth world, people acknowledge the power and usefulness of magic, but it’s considered backward. I took inspiration from how the Force is regarded in Star Wars Episode IV. The power of magic is acknowledged, but with an eye roll. Octavia is sadly accustomed to disrespect toward the Lady.
Through both books in my series, I put Octavia through her own version of the trials of Job. I wanted faith to be Octavia’s defining characteristic, even as circumstances cause her to despair and call out to the Lady in a full-on jeremiad. However she questions and doubts, Octavia still turns to the Lady for both gratitude and comfort. She doesn’t lose that part of identity.
I’ve had people ask me, why take this different angle? Personal experience. This kind of faith is very real within my family (though not in regards to a gigantic world tree). I didn’t have to look far for examples for Octavia’s fortitude and devotion.
I took a different approach with my new book, Breath of Earth. Unlike Clockwork Dagger, this new series is set on Earth: an alternate version of 1906, with America and Japan allied as a world power with China in their crosshairs. My heroine, Ingrid Carmichael, is a geomancer who can contain and use the energy that flows from the earth during quakes. In order to set her apart from Octavia, I wrote Ingrid as a woman who acknowledges God, but is not an active practitioner in any faith.
She has grown up in a world with different religious dynamics, too. Japan has had a heavy influence on San Francisco and American society as a whole, with Buddhism and Shintoism becoming more prevalent. Christianity has likewise worked more into Japanese society. Mythological creatures are not so mythological– just hidden or rumored to be extinct– meaning many other faiths are also touched on throughout the course of the book.
In Clockwork Dagger, I established my own religion, and that gave me tremendous freedom as a writer. In Breath of Earth, I had to pause and think through everything with care. After all, I was writing about “folktale” entities that are not folktales to some. They are real beings who should be respected.
However, as a writer, this also made things tricky. I, as the author feel one way, but my characters exist in a world full of biases and privilege. I needed to be true to my book’s time period. This made for a delicate balancing act, no question– and I’m sure readers will let me know if I err. That’s okay by me.
The Golden Rule is essential here. My fictional characters, like Octavia, ask for respect for their faith; it’s all the more essential for people of the real world to be accorded with proper respect for their beliefs as well.
Beth Cato is the author of the Clockwork Dagger series from Harper Voyager, which includes her Nebula-nominated novella WINGS OF SORROW AND BONE. Her newest novel is BREATH OF EARTH. She’s a Hanford, California native transplanted to the Arizona desert, where she lives with her husband, son, and requisite cat. Follow her at BethCato.com and on Twitter at @BethCato.
I’m delighted to announce that THE GENIUS PLAGUE is finally under contract! Two publishers wanted it, and although “bidding war” would be an overly dramatic description, they were both willing to increase their offers and make concessions on terms in order to get the book. When the dust settled, it was the incumbent, Pyr Books, that won the day–the same good folks that published SUPERPOSITION and SUPERSYMMETRY. They’re great people, very enthusiastic about my work, and I’m thrilled to be working with them again. Hopefully, I’ll have a release date to announce soon, and we can get it out on the shelves!
The cover art has not, of course, been created yet, but here’s a poor author’s concept of what it could look like:
If you recently bought the Superposition e-book, you may have gotten a surprise. When you opened the book, you found not Superposition, but the sequel, Supersymmetry! Not only that, but a few pages in, the book stopped suddenly. End of book. What’s going on?
The answer is simple. The entire text of Superposition is there, plus an excerpt of Supersymmetry. If you reset the book back to the beginning, you’ll find it’s all there, just as it’s supposed to be. It was a small glitch, apparently–I think in the Kindle version only–that set the book pointer at the end of the book instead of the beginning.